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LumièreLuxury Stones

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What has come
through the floor.

Fifty-three frames, curated rather than dumped: the showroom itself, close studies of the surface, full slabs shown whole, and material lit from behind. Every frame opens full size.

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A large polished stone slab with a pale translucent background and branching orange-red veins standing upright in the foreground of a warehouse, with a grey-and-cream slab and a teal-green slab with dark speckling displayed on pallets behind it. — ShowroomShowroom

Individual polished stone slabs standing upright on wooden A-frame supports in a row against a warehouse wall: a large grey slab with gold and rust mineral clouding in the foreground, a sage-green veined slab beside it, and a pink-toned slab further along, above a polished concrete floor. — ShowroomShowroom

Two large stone slabs standing side by side against a warehouse wall, their pale grey and cream veining mirrored across the central seam to form a symmetrical pattern, supported by wooden blocks on a dark polished concrete floor. — ShowroomShowroom

Close view of a large translucent white stone slab with fine rust-orange and red veins crossing its surface, lit by overhead strip lights; stacked cream slabs and a turquoise speckled slab stand behind it at the left. — SurfaceSurface

Two large stone slabs standing side by side on metal stands in a warehouse, mirrored so their pale, cloud-like veining forms a single symmetrical pattern across both panels against a white wall. — ShowroomShowroom

Two large stone slabs with matching white, grey and black cloud-like patterning standing side by side on wooden supports against a white warehouse wall, on a polished concrete floor. — ShowroomShowroom

Close, angled view of a polished translucent white slab face crossed by rust-orange and dark brown veining, with small ceiling-light reflections on the surface. — SurfaceSurface

Three large backlit stone panels standing on brass plinths against a white wall in a gallery-like interior with a polished concrete floor. The left panel glows pale cream, the centre panel shows red and orange branching veins, and the right panel is banded in dark grey and white. — BacklitBacklit

A single large polished stone slab photographed straight on, standing on wooden blocks against a warehouse wall, its surface blue-grey with sweeping gold and amber veining. — Full slabFull slab

A row of stacked stone slab bundles resting on wooden pallets along the wall of a warehouse, receding to the right, with pale cream slabs in the foreground and darker veined and green-toned slabs further back on a polished concrete floor. — ShowroomShowroom

Macro view of a polished crystalline stone surface, icy white and pale grey with a glassy fractured texture, crossed diagonally by branching rust-orange and amber veins. — Rosso CrystalloSurface

Macro close-up of a polished Nebula Crystal stone surface, translucent white and pale grey crossed by fine rust-gold and dark brown veins running diagonally, with a few small dark mineral flecks. — Nebula CrystalSurface

Extreme close-up of a polished stone surface where a pale pink and cream upper field meets a darker grey crystalline field along a jagged, mountain-like boundary, with fine dark fissures branching upward. — PatagoniaSurface

Close-up of an Alpinus stone surface: a bright white ground crossed by fine hairline veins, with a dense cluster of dark grey and charcoal mineral fragments running through the left of the frame. — AlpinusSurface

Extreme close-up of a translucent white crystalline stone surface, its icy facets shot through with a thin golden-brown vein running diagonally from lower left to upper right. — TajmahalSurface

Close-up of a polished Blue Alpine stone surface, a grey-blue and white marbled ground broken by pale crystalline patches and a branching network of thin olive-gold veins. — Blue AlpineSurface

Macro view of a stone surface split horizontally: a white crystalline upper band, a jagged black vein running left to right, and a smooth pale green lower field crossed by fine grey and rust hairlines. — BonsaiSurface

Close-up of a Crystallo Traslux slab: white crystalline stone crossed by branching amber and gold veins. — Crystallo TrasluxSurface

Macro view of a polished stone surface in soft sea green with fine pale striations, marked by two vertical columns of stacked lens-shaped amber and olive formations outlined in rust brown, with more branching veins along the top edge. — SauipeSurface

Close-up of a polished stone surface in soft cornflower blue and white, with fine horizontal layering and a pronounced deeper blue diagonal vein running from the upper left toward the right edge. — Azul MacaubusSurface

Close-up of a polished pale green-white stone surface, crossed by a broad diagonal seam of white crystalline mineral and finer rust and grey fissures. — AquamareSurface

Close-up of a polished stone surface in mottled olive green, grey and cream, cut through by dark angular veins and pale crystalline seams. — Tempest GreenSurface

A full slab of pale green stone displayed upright on a black backdrop, a broad band of white crystalline veining edged in black running diagonally across it, resting on a dark metal A-frame stand. — BonsaiFull slab

A large near-white translucent slab hung from an overhead lifting clamp in a warehouse, its milky crystalline surface crossed by soft grey shading and thin rust-gold veins running down the left of centre. — Crystallo TrasluxFull slab

A large polished pale grey-green stone slab with white crystalline patches and rust-coloured seams, suspended upright by a lifting clamp against a corrugated metal wall on a concrete warehouse floor. — Verde CrystalloFull slab

A full Mocamblu stone slab photographed upright on a display rack, its surface flowing with aqua, teal and gold veining and a bright white vein running top to bottom, with a printed specification strip along the top edge. — MocambluFull slab

A full stone slab photographed square-on against a black studio background, its grey and cream field crossed by rust-orange and deep red veining. A line of white inventory text runs along the top edge of the image. — Nebula CrystalFull slab

A full natural stone slab standing upright on a metal easel against a dark studio wall, its upper third a chalky white crust with grey speckling and the lower two thirds translucent pale stone crossed by fine amber and gold veins. A line of printed specification text runs across the top of the image. — PatagoniaFull slab

A full natural stone slab standing upright on a dark metal easel against a black studio wall, translucent creamy white with a soft blush centre and a network of thin rust-orange veins spreading across the surface. A line of printed specification text runs across the top of the image. — Rosso CrystalloFull slab

A large polished pale stone slab with soft beige and tan diagonal veining, stood upright on a metal A-frame against a black studio backdrop. A line of small white specification text runs across the top of the image. — TajmahalFull slab

A full polished stone slab with dramatic green, grey and cream veining shot through with rust-orange and white seams, displayed upright on a stand against a dark backdrop. A line of white specification text runs across the top of the image. — Tempest GreenFull slab

Macro view of a backlit translucent stone surface glowing warm white, threaded with fine dark brown and rust veins that branch across the frame like bare tree limbs. — Rosso CrystalloBacklit

Backlit Amazonite slab standing in a warehouse, lit from behind so turquoise fields and warm white crystalline patches glow through the stone against darker mineral clusters, with a pale border frame around the slab and the warehouse floor visible below. — AmazoniteBacklit

Backlit Alpinus slab photographed close: warm amber and honey-coloured areas glow through the stone while a dark charcoal and brown mineral network stays opaque against them. — AlpinusBacklit

A large Blue Alpine slab lit from behind, hung from an overhead lifting clamp against a corrugated metal wall, with translucent amber and gold passages glowing through blue-grey and white mottled veining. — Blue AlpineBacklit

A large Crystallo Traslux slab standing upright against corrugated metal siding, held by an overhead lifting clamp, photographed on a concrete floor. — Crystallo TrasluxBacklit

A backlit stone slab propped on stands in a warehouse, its upper half a pale translucent cream and its lower half glowing deep orange and red through dark branching veins. A red number is printed across the concrete floor at the bottom of the image. — PatagoniaBacklit

Several large stone slabs propped upright side by side in a warehouse: pale cream slabs at the left, a big white slab with sweeping grey and charcoal markings in the centre, and a turquoise and black speckled slab at the right. — ShowroomShowroom

A wide aisle running down the centre of a warehouse between two long rows of upright stone slabs standing on wooden pallets, lit by overhead fixtures under an exposed steel truss ceiling, with a bare concrete wall at the far end. — ShowroomShowroom

Bundles of stone slabs standing upright on a polished concrete warehouse floor, the nearest with gold, grey and blue veining and the next with pink and red veining, lit by ceiling strips under a truss roof. — ShowroomShowroom

A line of stone slab bundles on blue plastic feet receding across a warehouse floor toward closed loading-bay doors, the nearest slab a large green-grey polished face catching the overhead lights. — ShowroomShowroom

Rendered visualisation of a double-height lobby with a full-wall panelled installation of pale blue-green veined stone, a ring chandelier, floor-to-ceiling glazing on both sides and a low wood and brass reception desk. — VisualisationDesign visualisation. Not a photograph of a completed project.

Rendered visualisation of a home bar with a long teal and gold veined stone counter with a waterfall edge, five dark green upholstered bar stools with brass legs, backlit bottle shelving and a warm-lit ceiling. — VisualisationDesign visualisation. Not a photograph of a completed project.

Rendered visualisation of a bathroom with blue and white veined stone across the wall, a long integrated double vanity in the same stone, two backlit mirrors, brass wall-mounted taps and a glass shower with a stone bench. — VisualisationDesign visualisation. Not a photograph of a completed project.

Rendered visualisation of an interior staircase and landing finished in white and grey veined stone, with lit vertical strips in the newel post, illuminated stair risers, a glass and metal balustrade and ferns in a planted recess. — VisualisationDesign visualisation. Not a photograph of a completed project.

Rendered visualisation of a reception area with a large white and black veined stone panel lit from behind, a matching stone reception desk, black slatted walls, three slim pendant lights and potted plants. — VisualisationDesign visualisation. Not a photograph of a completed project.

Rendered interior visualisation of a symmetrical lobby with a full-height dark green veined stone feature wall behind a long low desk, flanked by fluted panelling, backlit ceiling trim and two lit table lamps. — VisualisationDesign visualisation. Not a photograph of a completed project.

Lumière graphicDesigned Lumière graphic, shown whole.

Lumière graphicDesigned Lumière graphic, shown whole.

Lumière graphicDesigned Lumière graphic, shown whole.

Lumière graphicDesigned Lumière graphic, shown whole.

A pale, lightly veined stone countertop lit from the left, with a dark glass vase of greenery and a small lidded stone jar at the back, against a dark marbled wall. — Lumière graphicDesigned Lumière graphic, shown whole.

Lumière graphicDesigned Lumière graphic, shown whole.

Design visualisations are labelled wherever they appear. They show how a material can be applied and are not photographs of completed Lumière projects. Lumière graphics are shown whole so no burned-in type or wordmark is ever cut.

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